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(Sony Pictures Classics via AP)

Luca Guadagnino’s new film, “Call Me by Your Name,” does everything it is supposed do – well, almost everything.

Based on the 2007 novel by André Aciman and set in the Italian countryside during summer in the late 1980s, the film has Elio (Timothée Chalamet) and Oliver (Armie Hammer) meet and fall in love in what feels almost like a two-hour-and-12-minute dream sequence.

A dream sequence that is understandably difficult to wake up from, as it would be preferable to exist there for just a bit longer. Guadagnino’s film is every bit as intoxicating as you would expect from the laudatory reviews. With Chalamet and Hammer (now Golden Globe and SAG nominees) at the helm, it’s nigh impossible not to feel nostalgic for fresh apricot juice and a warm Italian summer after the movie ends…

11 Reasons Why You Should Watch ‘Call Me by Your Name’:

1. The themes of longing, desire and self-definition are nothing if not timeless. Here, a young man’s coming-of-age is given such tactile, emotionally resonant immediacy that it would be recognizable in any country, of any era.

2. The young man in question is Elio (Timothée Chalamet), the 17-year-old son of an archaeology professor (Michael Stuhlbarg) who has hired an American student named Oliver (Hammer) to be his assistant for the summer.

(Sony Pictures Classics via AP)

 

As a typically self-absorbed teenager, Elio at first seems barely aware of Oliver’s presence, being far more interested in his on-and-off girlfriend, reading and pursuing compositional musings on the guitar and piano.

3. For his part, Oliver embodies a purely American brand of unbridled appetite and unselfconscious confidence that strikes an immediate awkward note within Elio’s casually cosmopolitan family.

Soon, though, the household reaches its own pleasant rhythm, with the two young men – about seven years apart in age – gravitating toward one another as friends and, eventually, more.

4. Before readers look up the Italian word for “problematic” (problematico) let it be noted that it is Elio, not Oliver, who is the pursuer in “Call Me By Your Name,” which was written for the screen by James Ivory.

5. Balancing the objectification of its leading men with discretion and delicacy, this is a film that acknowledges the purity and sculptural beauty of youth – Greek aesthetics, philosophy and ideals of male friendship are invoked early and often – but never at the expense of a character who, on the cusp of manhood, possesses his own agency and desires, despite their sometimes shaky parameters.

6. Portrayed with a note-perfect combination of cocky self-assurance and wary naiveté by Chalamet, Elio is something of an extension of the actor’s hilariously pretentious character in the recent film “Lady Bird” – another teenager with pedantic ideas about his own depth and seriousness.

7. While Ivory and Guadanigno aren’t afraid to wink at Elio’s youthful lack of self-awareness, they never stoop to ridiculing it: Like Oliver, whose own seeming shallowness masks a surprisingly observant, compassionate nature, they’re patient and indulgent with a stage of life that can seem laughable, enviable and excruciatingly painful all at the same time.

8. The plot of “Call Me By Your Name” isn’t particularly novel. Its contours are familiar to anyone who can remember their own sentimental education or that of their favourite literary hero. What sets his movie apart are the flavours, feelings and fleeting glimpses of attraction that find as much erotic tension in a volleyball game or alfresco lunch as in sparring over a Bach cantata.

9. The villa where much of “Call Me by Your Name” transpires, with its lush fruit orchards and burnished, offhanded refinement, feels less like a stage set than a summer home seen through a particularly revealing (but circumspect) keyhole.

10. Anyone who has seen Guadanigno’s previous films, including “I Am Love” and “A Bigger Splash,” understands his gift for creating environments, often drenched in extravagant colors and textures; his staging and pacing are just as sensuously seductive, drawing viewers into a world that seems simultaneously realistic and dreamlike in its detail and pictorial richness.

11. “Call Me By Your Name” finds the director marshalling those gifts in service to a spellbinding, almost ecstatically beautiful movie that gains even more heft and meaning in its final transcendent moments.

What had been a two-hander featuring sensitive, flawlessly judged performances by Chalamet and Hammer expands into something more, and the audience realizes that the entire film could be interpreted as an elegant exercise in misdirection.

Timothee Chalamet appears onstage to accept the rising star award-actor for “Call Me by Your Name” at the 29th annual Palm Springs International Film Festival on Tuesday, Jan. 2, 2018, in Palm Springs, Calif.

(Photo by Chris Pizzello/Invision/AP)

 

“Call Me By Your Name” may exemplify well-tempered cinema at its most balanced and attractive, but it’s far more than just a pretty face.

[MPAA Definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.]

– Washington Post